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Creatrix - WA Poets Inc poetry online e-journal

JUNE 08 - now online: Click here to read...


Creatrix is the new name for our poetry online e-journal, previously known as Fresh Works, which is resuming after a short recess.

Creatrix will be published online in March, June, September and December each year.

To be considered for the June 2008 edition, your poems are to be received by Friday 23rd May 2008. All submissions to be sent by email.

We accept poetry up to 60 lines, or shorter poems preferred, open theme (no more than three poems per poet per issue). There is no guarantee your poem/s will be chosen.

At this stage, publication is for WA Poets Inc member poets only. Currently we cannot pay contributors, but your poetry will be showcased. We will accept prize winning or previously published work, with acknowledgements. Send poems as attachments either in .rtf or word .doc files.

Copyright of material in the e-journal remains with the individual contributors and cannot be reproduced or transmitted in any form without written permission from the authors.

The editing team for Creatrix will be Peter Jeffery, Andrew Burke and Maureen Sexton. The next edition will be edited by Maureen Sexton.

Email to The Editor with the words "online submission" in the subject line. The email address is: wapoets@yahoo.com.au.

Fresh Works - Dec 07

Online Submissions for Fresh Poetry December 2007 issue. Scroll down the page to read new works by WA Poets:



David Barnes

Minutes in a Life

cream-coloured walls close in on sterile emptiness
a stainless steel sink and wool, forgotten.
the dishwasher’s mouth yawns open
wordlessness reaches out,
out to a watery sound and swirling.
the stepladder cries in the rain, forgotten.
trees, leaves, shed, stand naked
acceptance of winter's burden
while the ceiling fan rotates,
rotates above the scallop-boats in Mornington.
silently the picture speaks
crystal glasses wait for the sweet taste
of medium-dry sherry
the decanter sits quiet, aloof, above it all.
it is unavoidable that they are drawn together
all that’s required is acceptance
tick-tock, tick-tock, the mantle clock
minutes in a life.
I grumble in the driving wet,
as I do my chores, put dishes away.
while inside, the armchair awaits my comfort,
the taste of medium-dry
inevitably, the armchair sighs in comfort.

David Barnes






Helen Bennett

Drought

Somewhere in the southern universe
rain has disappeared.
Even the palest flowers have flown.
This river can’t move through the bright fields,
can’t dampen a platypus’s young.
Boughs have fallen in, along with currawongs.
And the message reads dry bones of a dung-heap.
You hear the river cry in the darkness.
It takes a breath over trickling stones,
over endless white cracks where even
the lilies are ornaments in mud.
Insects work in the darkness,
so the owl is not alone.
Every year, now ten, the geese return
to the dung-heap,
to the bog’s soft heart,
to the cold stones
that run forever.

Helen Bennett

Still Life with Lemons

picked ripe, body soft
snug fitting hat on juicer –
two firm halves of breasts

friends in company
egalitarian fruit
all dressed in lemon

drinks in green houses
one, two, three, four twists and there’s
juice on the table

Helen Bennett






Kevin Gillam

when Good Friday comes

mine is a fly-in, fly-out Christ,
sandals off in first class, no hard hat
on site, always home at Christmas

mine is a Festival Director Jesus,
putting lab rats on stage for a
slice of corporate sponsorship pie

mine is a bored-again Saviour,
levitating during power-point presentations,
feeding Nice biscuits to ants at morning tea

mine is a shock-jock Son,
devil’s advocate for the right cash offer,
delay button when Good Friday comes

Kevin Gillam


the forget

find the white, the forget. trace
its outline with finger. don’t
move. notice its trajectory,

how it seems to hint at all
directions, then more. sidle
closer such that one cheek might

rub then release – call this
accidental warmth, because,
although apparently radiating

heat, this is transference,
forget being but a knapsack
of guilt and remorse. try it on –

straps may not even need adjustment.
comfortable? should be, it’s yours

Kevin Gillam






Janet Jackson

I am holding / alienation

I am holding
alienation

with a space at one end for my thumb
and a spike at the other for my hide
Its hull pressures my joints
I squeeze but it remains solid
I pick it up, I put it down
It is icy tiny gravel, abrasive
even on my tough skin

I am holding
alienation

Let's get really
cold

Janet Jackson

Songless

The shell at my ear whispers
of screaming things.
Miniature lifeforms drowning in waste
and seals in oilslicks
and whales speared songless

and shells bleached silent on laminex tables

Janet Jackson






Paula Jones

New-Spun Skin

for Bella

I love what you’re turning into,
shifting the shape of your
new-spun skin,
watching with brown-seed eyes,
birds nest hair.
This is your unraveling.

I love the easy length of you,
the sudden song and flit of you.
How comfortably you hang
yourself on a wicker chair,
wear your wide smile.

I love the summer of your breath,
the cellophane crackle of thoughts,
the bravado of your long fingers.

And when you sleep I will
gather your closed-bud lids
like pebbles on soft sand.

Paula Jones






Murray Jennings

AUTUMN WIND

Collars turned up,
finding things to say
along the old timber road
snaking between ancient karri.

Under a muffled moon
and silent stars
my father’s ghost
and me.

Autumn wind in our eyes,
things to say about guilt,
unrealised dreams,
but mostly,
things we built.

Getting them out of the way
before the whims of winter
make mush of the track

and our short, wonderful
time together.

Murray Jennings


Fresh works - Sept07

Online Submissions for Fresh Poetry September 2007 issue.

Scroll down the page to read new works by WA Poets: Ross Bolletter, P L Jones, Chris Konrad, Damon Lockwood, Annie Otness, Kelly Pilgrim-Byrne (nee Pilgrim), Emma Rooksby and Taffy...


Every time we say goodbye

Under my Cape Lilac turning yellow
my friend a black poet from Sudan and I
eat chilli mutton rice and onion cooked by him
My orange umbrella darkens Night reduces us
to voices mine avid his measured as he jokes
‘The mosquitos don’t bite me because they haven’t
seen me yet’

He reads his poems in Arabic
His English woman friend translates
The mosquitos see her all right and bite
through her wispy floral skirt She soothes
her backside with Citronella while she sings
low voiced jazz – Every time we say goodbye
I cry a little…

‘Memory’ says the poet
trying not to recall waking
with a gun in his face at 2am –
twenty-three arrests twenty-three
imprisonments without charge or trial

‘Memory’ soldiers rip the coverlets
from his children who burrow into their beds
as if to leave their bodies like remnants of a feast
not worth touching

Ross Bolletter


Constellation

through the suburbs of lacklustre night
my true friends’ homes glitter – they make
a dispersed village a spread eagle constellation
though much too scattered for the Greeks
to have named

it’s what my heart departing
might still hold to itself all choices
now being the right ones or the only ones
that could have been made

the Indigo Café’s table limps
we chock it black coffee spirals
into blood rapids blood falls I no longer
rehearse my eager story as you tell yours

an unhurrying sun warms our spines

Ross Bolletter


Response to a painting “untitled”

by Julia Parks
Midland Tafe, 2007

with your tools
you scrape me
trowel my body
with thick, wet paint
see my shoulder
turning
raise my arm
the underneath
an open shell
push the paint
to shape a breast
pucker it around
a raised nipple
with the palette knife
use sharp edges
to shape a curve
press me into figure
I am naked
turning
hiding my eyes

P L Jones


Telephone pole

Cross beamed sentinel,
sagging spaghetti strings string you
in a dancing silver conga line through
the valley. So together yet so strung out
love, regret, joy, sluice through your wires.
Beam arms crucified against mercury blue skies
through reckless weather you carry it all.
So anchored and benign at your post you stand.

Nothing seems to strain you yet strained you remain,
unquestioningly, you carry out your task.
In an instant we are all as one
as tensioned tidings you dutifully deliver.

Chris Konrad


Winter-garden

which leaf shall die
which stem will thrive
in the sure approach of
winter.

sticks and stalks
are just shrill fingers,
rattling their knuckles
at the grey lines above.

(they know of beauties,
i suppose,
but like blind men dreaming,
phantom realities.)

pools wink on the pavement,
painting their song
with rain.
dogs stand and wonder.

there is a silence
in decay
with the promise of persistence –
buds mount their attack

within the shivering skin
of branches

Damon Lockwood


Dream Beach 13 Noon

We need not ever fear to remember midnight
The wind whips the ocean to a foaming froth
Gulls wander in the shallows
And seek to share the filamental shade
Of whispering casuarinas
Too hot for thirst
We lie like infants on the silver sands
Of tropical beaches
Do not swim, the warm water
Harbours venom
The mosquitoes rest and wait
In the denseness of hot midday air
The sun seems riveted in the blue shallow sky
The birds are quiet but in the fringing shade
The great iridescent butterflies
Flutter like half forgotten memories of dreams
Great creamy flowers blossoms open out
And yawn
It has never been cold
We are entwined as lovers on the indolent beaches
Waiting is all – the burning sun will slowly navigate
The shadeless skies
Come evening it will set to horizons clouded glory –
Another wonder of the end of days
Lost in the memory of the noontide heat.

Annie Otness


Bees

A family has moved into our shed,
built a cosy corner in an old nest box
we should have discarded years ago
in a roadside collection. Instead

it’s humming with chitter chatter
as they decorate the walls with molten
magnificence, slippery as a Dali clock,
golden as iridescent daisies. Flock

like this are mysterious kin,
winged, fickle little critters
coming and going like dust.

Kelly Pilgrim-Byrne (nee Pilgrim)


Preparations

It’s high time we began the spring-cleaning,
the sun’s lit on dust indulged too long
by shadow and sloth. There’s so much built-up grime
breeding infection in those corners, so many germs;
the floors are foul. Tonight we must put the photographs
in order in the albums, set their edges neatly along
the corrugated sheets, because holidays and highlights
deserve frames to preserve their meaning.

We should get out more, visit friends, learn
languages, instruments; acquaint ourselves with the lore
of five continents, because nobody can coldly
turn their backs on such abundance.
We must work hard, be diligent, put money aside,
make sure we get the most out of our lives.

And please, when you go out, leave a light on
because, because I am afraid.

Emma Rooksby


Golf

The fairway’s getting longer
and the green is getting littler,
I’ve spent so long in the bunker
now I’m getting mail for Hitler.
I wish I had a caddy
who’d suggest the better clubs
but instead I play with someone
who suggests the better pubs.
I smack the ball it goes left, right
I think I’m in the army
scratching balls in prickle bush
is driving me bloody barmy.
Should I use a chipping wedge
or should I use a putter?
The more I play the more I think
I’ll turn into a nutter.
I always do my best to fade
and miss the fairway trap
but I’m not the only one out there
who has a handicap.
Practising makes perfect
well you know that might be true
but I’m sick of the buggers just behind
saying ‘Mind if we play through?’
And then back to the clubhouse
and you tally up the hits
just three more than last week
Jesus golf gives me the shits.

Taffy

Fresh works - June07

JUNE 2007: FRESH POEMS

Scroll down to read 15 new works submitted by...

David Barnes
Penelope Allan
Michelle Cahill
Kevin Gillam
Janet Jackson
Frances Macaulay Forde
Flora Smith
Maureen Sexton
Jennifer Langley-Kemp
Jan Napier
Joyce Parkes
PL Jones

--

A dirt road, Alice Springs

Outback, on a sand and stony road
we came across a rolled car
on its side
inside, both parents dead.
I found a young boy
wrapped around a Mulga tree,
scalp sliced exposed
still alive.
Under torchlight, we cleaned
the ants
clinging to his skull.
I held his scalp, pressed
against his head.
A mate drove fifty miles
to Alice Springs.
I stayed with the living
and the dead.
No one remembers.
I do.
A young man only
twenty.

David Barnes


--


Fishing For Feathers

We trawl past land where harsh new roofs
Scramble up the slopes,
Discordant in the landscape where trees have gone.
Upriver, the smoky air distorts the view
Of scrubby banks. Smoke haze veils the horizon.
Layers overlap – blues and mauves and greys.
The narrow band of headlands
Arch in series, and recede like stage sets
And hazy trees on the reedy island emerge as stupas
While distant rows of pelicans stand and watch.
The water is dark – grey green, black patterned,
In constant motion, waves airbrushed to softness.
Then as the sun rises sparkles hit the wavelets
As points of light, sharp and bright.
And something else: the river floats with feathers
Soft white dots on water rise and fall.
Tiny feathers curl and float, spread far and wide
And cluster at the water’s edge.

The dinghy’s laced with cobwebs and is full of leaves.
No fish. We reel in weed.

Penelope Allan



Heatwave – Saturday Evening

A strident sunset blasts the windows
Harsh and dazzling with its glare
While rainbow lorikeets screech past,
Raucous as they wheel and turn.
The air inside is hot and stale
Inside we bake; outside we burn.
Sweat blooms, then trickles down our skin
Salty rivulets cling to hair.
Tempers balance on a word
Petulant irritations flare
And then subside – not worth the fuss.

We doze on sweat-damp sheets,
Give up and find that night has come
Outside at last a breath of air.
A gentle breeze that stirs the leaves
Brings hints of frangipani and of rose,
Bright stars and stitched to the velvet sky,
A rising moon shines through the trees.
With the moon the light is soft,
With the breeze the air caresses,
Indolent and mellow. Now at ease
We stretch and smile at last
While summer songs float down the street.
Half heard, they tease
With memories of summer past.

Penelope Allan



---

Liberty at Box Head

It was high tide and I knew I’d find them,
spines suturing the sea, dolphins duck-diving
then surfing the waves in a parallel formation.

How is it we become so snared in our lives?
Time swallows the insults, the barbs we digest,
retract and scar. Yet the same scarp enters me

with its eroded beauty, its headland fingering
the Pacific, noisy today as a cheerful road.
I cannot match the rapid eye of swallows.

Mannequin finches spy me from their perch
and know my game. I’m brushed by banksias,
their waxy leaves sobering my thoughts.

Down by the rocks, the foam’s calligraphy
sparkles in the sun. Spirited waves grant me
tolerance. I cross the green pools, the cunjevoi

that fishermen waste. I think of those seagulls
in salmon rich waters. One may lose a leg
through sheer play—the price of liberty.

Michelle Cahill



The Fourth Veil

Grey-veiled rain is morning’s machete
stripping me back to the same corporeal
ellipsis: the absent curve of your shoulder.
Outside a cocos palm seems artifactual.
Nothing stirs but currawongs and bandit
mynahs who broadcast the first bulletin:
a high-profile suicide, (static), explosions,
another hostage drama. Who can tell ?

Now sunrise is a rouge powdering the sky,
as though marketing a conspiracy against
all that is finite. Through half-drawn curtains
the sea lends its sympathy, like the aquatints
of Lavender Bay from Whiteley’s studio.
Reminds me how a view renders thought,
granting to perception what is made new:
a skiff’s metronome, the audacious blue.

Michelle Cahill

--


times two

you peel pith from every ball of
hour
you lasso the moon, scour it for its
other side
you kneel and sip from the cup of
denial
your body bricks then
folds flimsy
you trial sleep inside
blink
you decide your weather is not
yours
you accept the logic of sweat eroding
cotton

you know it’s Tuesday, like
yesterday
your brood is too thick for the
straw
you make a web in angst’s
cornice
you’d call it “swimming through
honey”
you’ve a palaeontologist’s
touch
you are but a thousand chalky
remnants
you turn, say nothing
and everything

Kevin Gillam

--


Echo and ache secret

Let me tell you in
A flat minor
that my feet are a snare and a tomtom Skin:
a splash cymbal Heart:
a hihat
a ching ching ching ching ching ching ching ching Gutcoil:
bass guitar and kickdrum Inter
locking Inter
woven In

So let my hair be slow electric,
my eyes be rests and cries,
the line of my lips be the echo and ache secret,
full of every
thing [un]
mappable
and kissing the mike with words without warning

Janet Jackson

--


The Proposition

Before
owners hunted roo and bungarra,
as outback trackers burned for their captain
through dry landscapes and rocky gully
in blistering heat, murdering on cue.

But since
croc, witchety grub, kanga and emu
have appeared in West Perth restaurants,
will we eat them out of house and home
and must we become obese Americans too?

Frances Macaulay Forde

---


When he returned to the island

it was the walls that spoke to him,
glowing at sunset, (a catch in his throat)
honeycomb houses spread on the hills.

Imagine, he told me, no graffiti,
no tattered rags of last year's notices,
not even posters for the Opera House.

Yes, great to be back. Again and again
they filled his cup with sharp red wine
and he drank in each village courtyard.

Departure time, his mother's tears
heavy as a suitcase. Walls
watching as the ferry left the docks.

Came the punch of memory;
he'd known the walls could suffocate.
It was why I left, he said, why I left.

Flora Smith

---


Days Of Trees, Cheetahs And Mountains

In my maiden days
I laugh, sing
dance, play
dream my dreams
live my fantasies
climb trees
scale mountains
run like a cheetah.

In my mother days
I ache with pregnancy
scream in childbirth
feed with love
laugh, cry
plant trees
gaze longingly at mountains
fear cheetahs.

In my crone days
I tell stories
pass on wisdom
laugh, cry
love, live
marvel at cheetahs
hug trees
think like a mountain.

Maureen Sexton

---


From A Window

This morning a baby
honeyeater caught
by mirage is a bundle of feathers
on the patio table.
The mother bird pushes, cajoles
flies into the lemon tree.
From the kitchen window I hold my breath
wait for the little one to lift and follow

Remember an owl blinded by light smashing into glass
joining the birthday barbeque
until recovery drew
him back to night and safety.

I want to stop the morning
turn back time
but there are no clocks
only the patient bird
the limp bundle stiffening
and in the tree nubs of fruit bitter as marmalade.

Jennifer Langley-Kemp

---


Friday Night

The drummer, black clad Canute
strikes and strikes,
beats back the tide of
predator and frauds.

As with axes and sticks,
the besieged raise
rhinestone barricades.

And down there in the dark,
the crowd, vampiric,
keeps wanting more.

Jan Napier



Hand Made

My mother chooses the fabric.
“It is good quality,” she says,
“and will last.”
I think its silver grey sheen dull,
but I am wrong and glad of it.
For she weaves a kind of magic
my mother,
with her ugly hands.
Every stab and tug of her
quick-moving needle,
through the slip and slide
of the material, is a triumph
of mettle over bone.
And from copper bangles,
vinegar midnights and belief,
she crafts a dream.
Her dress is starlight and mist,
and the river of it flows from me.
I float soft as swansdown
on a young girl’s fantasy
of the moon, and a boy
who will kiss my lips
and moan his want,
while the dress enfolds us both
in its spell of silk and coolness.
“It fits,” she says.
And cradles her hands, one within the other.

Jan Napier

---



March in Perth, Australia

Once an orphan, now an Australian,
has her write that this autumn too,

the climate claimed respite from
yet another solid summer, when

eventually, rain graced the roof of
her house, in still warmish weather,

three weeks after our calendar-
autumn began – where the nous

of fine friends brought drops of
content to a parched west coast city.

Joyce Parkes



Wonderings and Warnings

(With thanks to A. F.)

The privileged as well
as the poor are warned

not to sleep in the open
or at railway stations –

not to loiter, or steal
a carton of milk, not to

wonder if democracy
includes timber and

timbre – or dispute
devolving dialectics.

Joyce Parkes

---



from my window

from my window
a woman sings

childishly
like a string-of-lights

she sings in Spanish
I dare not move

the silence afterwards
is unbearable

PL Jones